Jafar Panahi
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Iran protests
Iranian film director Jafar Panahi released following hunger strike
World-famous Iranian film director Jafar Panahi has been released from Tehran's notorious Evin prison after a hunger strike. By Stuart Braun
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Iran's 37th Fajr Film Festival
Politics collide with the big screen in Tehran
With prominent film makers cancelling their attendance, the organisers of Iran's flagship cultural event are under pressure. The Fajr film festival in Tehran shows how culture can be used to make a political point. By Philipp Jedicke
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Jafar Panahiʹs "Three Faces"
An anti-feminist manifesto
In May 2018, Jafar Panahiʹs film "Three Faces" was screened at the Cannes International Film Festival and won the prize for the best screenplay. It is the Iranian film directorʹs fourth film since the Mullah regime sentenced him to a 20-year ban on travel and work in 2010. Review by Fahimeh Farsaie
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Film review: Jafar Panahi's "Three Faces"
Road movie against patriarchy
Although he has been banned from film-making since 2010, Jafar Panahi keeps working – albeit without the approval of Iranian authorities. His latest work, "Three Faces", has been enthusiastically received in Cannes. By Suzanne Cords
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Iranian feature film "Lantouri"
A society in close-up
Iranian film director Reze Dormishian's third film is a powerfully articulated indictment of some of his country's more dubious and controversial practices, such as the execution of children and adolescents, horrific acid attacks and retributive justice. By Rene Wildangel
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Berlinale 2015: Golden Bear for Jafar Panahi's film "Taxi"
An incredible feeling of warmth and humanity
Jafar Panahi's "Taxi" truly deserves the Golden Bear it won at the Berlinale. For Jochen Kurten, the film's victory is more than just a political statement because "Taxi" takes the viewer on a journey through the Iranian capital and is full of warmth and humanity. The whole experience moved him deeply
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Justice in Iran
Petty Criminals Sent to the Gallows
Iran has begun handing down death sentences for robbery – a crime that previously carried much less severe punishments. In socially and politically uncertain times, the regime is increasingly resorting to Draconian measures in the hope that these will serve as a deterrent, reports Stefan Buchen
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Iranian Cinema
Forbidden Love Scenes in the Pious Dinosaur Nation
Tough rulings against Iranian filmmakers and the harsh treatment of female actors are causing despair in the film industry. But it wasn't always like this. Amir Hassan Cheheltan outlines the history of Iranian cinema, which is richer and more complex than the outside world realises